“DISILLUSIONMENT”
90 X 65 CM EACH
ACRYLIC & SCREEN INK ON CANVAS
2012 CASPER KANG

DISILLUSIONMENT I


DISILLUSIONMENT III


DISILLUSIONMENT V

Images may not be used without consent
2012 Casper Kang
“DISILLUSIONMENT”
90 X 65 CM EACH
ACRYLIC & SCREEN INK ON CANVAS
2012 CASPER KANG

DISILLUSIONMENT I


DISILLUSIONMENT III


DISILLUSIONMENT V

Images may not be used without consent
2012 Casper Kang
“STARLESS NIGHT SKIES”
48 X 48 CM EACH , EDITION OF 10
FRAMED LENTICULAR HOLOGRAMS
2012 CASPER KANG




Varying degrees of color and gradation depending on viewing angle
Images may not be used without consent
2012 Casper Kang
“WILDERNESS”
110 X 110 CM X 6 PIECES
ACRYLIC AND SCREEN INK ON CANVAS
2011 CASPER KANG

WILDERNESS I


WILDERNESS II


WILDERNESS III


WILDERNESS IV


WILDERNESS V


WILDERNESS VI


Images may not be used without consent
2011 Casper Kang
“BANISHMENT”
91 X 116 CM X 5 PIECES
ACRYLIC AND SCREEN INK ON CANVAS
2011 CASPER KANG


BANISHMENT I


BANISHMENT II


BANISHMENT III


BANISHMENT IV


BANISHMENT V


Images may not be used without consent
2011 Casper Kang
“SECLUSION”
480 X 130 CM
ACRYLIC AND SCREEN INK ON CANVAS
2011 CASPER KANG















Images may not be used without consent
2011 Casper Kang
“PEGASUS”
40 X 40 CM X 30 PIECES
DIGITAL PIGMENT AND SCREEN INK ON CANVAS
2010 CASPER KANG








Images may not be used without consent
2010 Casper Kang
“CASH MONEY”
PORTRAITS OF KOREAN CASH
130 X 390 CM (3 PIECES)
ACRYLIC & SCREEN INK & INTERFERENCE ON CANVAS
2010 CASPER KANG


이황




신사임당




세종대왕



Images may not be used without consent
2009 Casper Kang
“SELF-CONSCIOUSNESS(자의식)” PHASE 1
70 X 94 CM EACH
DIGITAL PIGMENT PRINT ON ARCHIVAL PAPER, CUSTOM PAINTED FRAMES
2010 CASPER KANG

PHASE 1

최 경 원 (Choi Kyung-Won)

지 현 정 (Ji Hyun-Jung)

정 지 성 (Jung Ji-Sung)

남 궁 철 (Nam-Gung Chul)

김 지 은 (Kim Ji-Eun)

송 주 호 (Song Ju-Ho)

이 하 정 (Lee Ha-Jung)

서 한 영 (Suh Han-Young)

구 송 이 (Koo Song-Yee)
Images may not be used without consent
2010 Casper Kang
“100% ASTERISK” X 3
45 X 53 CM EACH
ACRYLIC & SCREEN INK & INTERFERENCE ON CANVAS
2010 CASPER KANG



Images may not be used without consent
2010 Casper Kang
“1000% ASTERISK”
130 X 160 CM
ACRYLIC & SCREEN INK & INTERFERENCE ON CANVAS
2010 CASPER KANG




Images may not be used without consent
2010 Casper Kang
“MONEY STARS” (돈별)
PATTERNS FROM KOREAN MONEY
380 X 140 CM (21 PIECES)
ACRYLIC & SCREEN INK ON CANVAS
2010 CASPER KANG







Images may not be used without consent
2009 Casper Kang
“DDD”
390 X 160 CM
ACRYLIC & INTERFERENCE & SCREEN INK ON CANVAS
2009 CASPER KANG
Dance like you want to win.
















Images may not be used without consent
2009 Casper Kang
“1000% ASTERISK”
130 X 160 CM
ACRYLIC & SCREEN INK & INTERFERENCE ON CANVAS
2009 CASPER KANG


Images may not be used without consent
2009 Casper Kang
“LUCID DREAM$”
116 X 90 CM
ACRYLIC & INTERFERENCE & SCREEN INK ON CANVAS
2009 CASPER KANG





Images may not be used without consent
2009 Casper Kang
“DIASPORA I,II,III,IV,V”
130 X 160 CM EACH
ACRYLIC & SCREEN INK ON CANVAS
2008 CASPER KANG

Images may not be used without consent
2009 Casper Kang
“DIASPORA I”
130 X 160 CM
ACRYLIC & SCREEN INK ON CANVAS
2008 CASPER KANG


Images may not be used without consent
2009 Casper Kang
“DIASPORA II”
130 X 160 CM
ACRYLIC & SCREEN INK ON CANVAS
2008 CASPER KANG


Images may not be used without consent
2009 Casper Kang
“DIASPORA III”
130 X 160 CM
ACRYLIC & SCREEN INK ON CANVAS
2008 CASPER KANG


Images may not be used without consent
2009 Casper Kang
“DIASPORA IV”
130 X 160 CM
ACRYLIC & SCREEN INK ON CANVAS
2008 CASPER KANG


Images may not be used without consent
2009 Casper Kang
“DIASPORA V”
130 X 160 CM
ACRYLIC & SCREEN INK ON CANVAS
2008 CASPER KANG


Images may not be used without consent
2009 Casper Kang

SELF DYNASTY
As young children, the Queen and the General first met outside the impenetrable walls of the imperial castle. The Queen demanded that her guards kill the many pigeons that nested atop the walls, but because the walls were so high, the guards could not reach the pigeons. The clever General, who came from a family of beggars, fed the pigeons grains of fortune-rice, which caused the pigeons’ stomachs to explode. The Queen, who had always been fascinated by death and carnage, immediately realized that she had found her perfect partner for life, her soul-mate.
They were both 7 years old when the Queen had the General’s family killed and brought him to the castle, where he was educated in all matters of combat and warfare. By the time he reached his adolescence, he had already become by far the greatest warrior in all the empire, and thus became the general of the Queen’s army. He cut off the heads of 444 warlords, and conquered the entire eastern hemisphere. He cared for the Queen, and followed each and every one of her orders without question. When the Queen ordered him to find the rulers of peaceful neighboring kingdoms and to pluck out one of each one’s eyes, he complied. Despite his violent profession, the General would go home to his wife and children, and would forget about the killings.
During her 89th year of reign, people began to say that the Queen’s mind had become infected by demons. The extreme selfishness of her goals grew more apparent to the General, and for the first time, he hesitated upon hearing her orders. Still, he followed the Queen’s wishes to ride a Pegasus into space and destroy all the planets, moons, and stars that were visible from the Earth. She had developed sleeping problems, and said that the lights in the sky bothered her at night. And so according to her wishes, the skies became starless. Upon returning, the Queen was disgusted by the appearance of the Pegasus. In fact, the Pegasus was not entirely visible to the human eye, and could only be perceived as blurs of color and light. When she demanded that the General cut off the wings of the Pegasus, he replied, “But the Pegasus has no wings.”
The Queen grew increasingly suspicious of those around her, and began to fear that a conspiracy was being planned. The General wasn’t afraid of the Queen, but the Queen was afraid of him. Her paranoia affected her perception of the general, as he no longer appeared human to her. Through her eyes, he took on the form of a large beast with golden fur and a hideous face which appeared drawn and anxious. She locked herself inside her castle, and never came out. She sent her three sons, who had been trained as royal assassins to the General’s house to kill him. But the General killed them, and fled the kingdom, while the Queen issued a decree of the General’s banishment. From inside her castle, she would peer out from behind the walls in fear, knowing that the General was very well capable of killing her and her entire army. Wandering in the wilderness, the General would gaze sadly upon the walls of the kingdom, hoping that the Queen would forgive him.
The General would continually circle the entire kingdom, killing any armies which might attempt to invade. He did this half out of boredom, and half out of the hope that the Queen might appreciate his efforts and forgive him. After 149 years passed, the General became a part of the wilderness, turning into stone. Realizing this, the Queen finally left her castle, went out into the wilderness and smashed the stone General into dust. When news of the General’s death had spread, the Queen’s kingdom was invaded and conquered by her enemies.
Images and text may not be used without consent
2011 Casper Kang

CREAM (CASH RULES EVERYTHING AROUND ME)
CASPER KANG SOLO EXHIBITION
캐스퍼 강 개인전
FEBRUARY 18TH, 2010 – MARCH 11TH, 2010
OPENING RECEPTION FEBRUARY 18TH, 2010 6:OO PM
캐나다 교포로 현재 한국에서 활동하는 신진작가 캐스퍼 강은 이번 개인전 CREAM (Cash Rules Everything Around Me) 전에서 현대 자본주의 사회에서 필수 불가결한 돈에 관해 몇 가지 질문을 던집니다. 작가는 돈의 의미와 힘 그리고 그 필요성에 대해 의문점을 제기하며 그의 작품 속에서 이에 대한 해답을 찾기를 종용합니다. 그는 이 시대의 가장 강력한 권력인 자본을 숭상하는 시대적 분위기를 그만의 독특한 화법을 통해 작품에서 비틀어 표현하고 있습니다.
캐스퍼 강의 이번 전시는 대한민국 지폐에 등장하는 인물들인 이황, 세종대왕 그리고 신사임당의 초상을 차용하여 캔버스에 옮겨 그린 작품들로 이루어집니다. 돈의 무늬를 배경 삼아 작가의 세밀한 붓 터치와 정교한 실크스크린 기법을 혼용하여 현대적인 감각으로 재탄생한 선조들은 전시장에서 관람객과 마주합니다. 작가는 또한 자신의 사인이자 사회적으로 특별함의 의미로 통용되는 별표 연작을 제작했습니다. 전시장에 함께 전시된 돈을 의미하는 선조들의 초상과 특별함을 의미하는 별표 연작은 관람객에게 돈이 당신에게 특별한 존재냐고 묻습니다.
-하정경 큐레이터-
“CREAM” is a series of new paintings by Casper Kang which juxtapose the intricate images and patterns found on Korean money, rearranging the pictures known as cash, or bills, into new aesthetic compositions.
Images may not be used without consent
2010 Casper Kang
“PHANTASMAGORIA III”
JANUARY 9TH, 2009 – JANUARY 23RD, 2009
@DAILY PROJECTS
SEOUL
A1 poster
Images may not be used without consent
2009 Casper Kang
LIMITED EDITION BROOCHES FOR “PHANTASMAGORIA III” EXHIBITION
Laser-cut Acrylic


TOP ROW: (A) CADMIUM RED / (B) N4 GREY / (C) TITANIUM BUFF PINK
BOTTOM ROW: (D) TURQUOIS (PHTHALO) / (E) LIGHT MAGENTA / (F) AZURE BLUE
Images may not be used without consent
2009 Casper Kang