“WILDERNESS X, XI, XII”

110 X 110 CM X 3 PIECES

ACRYLIC AND SCREEN INK ON CANVAS

2013

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W10_00
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W11_00
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“UNTITLED 11, 12, 13″

110 X 35 CM EACH, FRAMED EDITIONS OF 10

GOLD SCREEN INK ON 300 GSM ARCHES PAPER

2013

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“UNTITLED 6, 7, 8, 9, 10″

50 X 72 CM EACH, FRAMED EDITIONS OF 10

GOLD SCREEN INK ON 300 GSM ARCHES PAPER

2013

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“UNTITLED 1, 2, 3, 4, 5″

40 X 40 CM EACH, FRAMED EDITIONS OF 10

GOLD SCREEN INK ON 300 GSM ARCHES PAPER

2013

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” D / I / V / V / I / S / I / O / N / S “

with Essay by Andy St. Louis

18 x 21 cm, 48 pages, UV print,

2013 Casper Kang

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DOWNLOAD PDF

“IMPERIAL GUARD – WEST PORTAL, NORTH PORTAL, EAST PORTAL”

91 X 116 CM X 3 PIECES

ACRYLIC AND SCREEN INK ON CANVAS

2012

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“WILDERNESS VII, VIII, IX”

110 X 110 CM X 3 PIECES

ACRYLIC AND SCREEN INK ON CANVAS

2012










“TETRA LIFE”

105 X 105 CM EACH, EDITION OF 10

FRAMED LENTICULAR HOLOGRAMS

2012

Varying color & saturation depending on viewing angle

Following images from one individual piece





“DISILLUSIONMENT I, II, III, IV, V”

90 X 65 CM X 5 PIECES

ACRYLIC & SCREEN INK ON CANVAS

2012











“STARLESS NIGHT SKIES”

48 X 48 CM EACH, EDITION OF 10

FRAMED LENTICULAR HOLOGRAMS

2012

Varying color & saturation depending on viewing angle

Following images from one individual piece




“WILDERNESS I, II, III, IV, V, VI”

110 X 110 CM X 6 PIECES

ACRYLIC AND SCREEN INK ON CANVAS

2011













“BANISHMENT I, II, III, IV, V”

91 X 116 CM X 5 PIECES

ACRYLIC AND SCREEN INK ON CANVAS

2011 CASPER KANG












“SECLUSION”

480 X 130 CM

ACRYLIC AND SCREEN INK ON CANVAS

2011














“PEGASUS”

40 X 40 CM X 30 PIECES

DIGITAL PIGMENT AND SCREEN INK ON CANVAS

2010








“CASH MONEY”

PORTRAITS OF KOREAN CASH – 이황, 신사임당, 세종대왕

130 X 130 CM X 3 PIECES

ACRYLIC & SCREEN INK & INTERFERENCE ON CANVAS

2010

















“SELF-CONSCIOUSNESS (자의식)”

최경원, 지현정, 정지성, 남궁철, 김지은, 송주호, 이하정, 서한영, 구송이

70 X 94 CM EACH

DIGITAL PIGMENT PRINT ON ARCHIVAL PAPER, CUSTOM PAINTED FRAMES

2010










“100% ASTERISKS”

45 X 53 X 3 PIECES

ACRYLIC & SCREEN INK & INTERFERENCE ON CANVAS

2010



“1000% ASTERISK”

130 X 160 CM

ACRYLIC & SCREEN INK & INTERFERENCE ON CANVAS

2010




“100% ASTERISKS”

PATTERNS FROM KOREAN MONEY

45 X 53 CM X 21 PIECES

ACRYLIC & SCREEN INK ON CANVAS

2010







“DDD”

390 X 160 CM

ACRYLIC & INTERFERENCE & SCREEN INK ON CANVAS

2009

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“1000% ASTERISK”

130 X 160 CM

ACRYLIC & SCREEN INK & INTERFERENCE ON CANVAS

2009


“DIASPORA I”

130 X 160 CM

ACRYLIC & SCREEN INK ON CANVAS

2008

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“DIASPORA II”

130 X 160 CM

ACRYLIC & SCREEN INK ON CANVAS

2008

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“DIASPORA III”

130 X 160 CM

ACRYLIC & SCREEN INK ON CANVAS

2008 CASPER KANG

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“DIASPORA IV”

130 X 160 CM

ACRYLIC & SCREEN INK ON CANVAS

2008 CASPER KANG

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“DIASPORA V”

130 X 160 CM

ACRYLIC & SCREEN INK ON CANVAS

2008 CASPER KANG

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新 羅 Z

CASPER KANG SOLO EXHIBITION

2013 . 2 . 21 – 3 . 17 / OPENING RECEPTION 2.21 6 PM

SHILLA_Z_POSTCARD_F5

153 GALLERY

서울시 반포동 57-3 운창빌딩 지하1층

PRESS RELEASE / 보도자료

M M X I I

Solo Exhibition / 캐스퍼 강 展

GALLERY AI1 / 문화예술 나눔터 아이원
OPENING RECEPTION / 개관식 – 2012.08.09 (목) 6 PM

서울시 동대문구 장안동 307-3
동광빌딩 3층 / 02-2246-0071

OPEN DAILY FROM 10 AM – 10 PM (월-일)

MAP

http://www.ai1.or.kr
http://www.aboutartcompany.com

SELF DYNASTY

As young children, the Queen and the General first met outside the impenetrable walls of the imperial castle. The Queen demanded that her guards kill the many pigeons that nested atop the walls, but because the walls were so high, the guards could not reach the pigeons. The clever General, who came from a family of beggars, fed the pigeons grains of fortune-rice, which caused the pigeons’ stomachs to explode. The Queen, who had always been fascinated by death and carnage, immediately realized that she had found her perfect partner for life, her soul-mate.

They were both 7 years old when the Queen had the General’s family killed and brought him to the castle, where he was educated in all matters of combat and warfare. By the time he reached his adolescence, he had already become by far the greatest warrior in all the empire, and thus became the general of the Queen’s army. He cut off the heads of 444 warlords, and conquered the entire eastern hemisphere. He cared for the Queen, and followed each and every one of her orders without question. When the Queen ordered him to find the rulers of peaceful neighboring kingdoms and to pluck out one of each one’s eyes, he complied. Despite his violent profession, the General would go home to his wife and children, and would forget about the killings.

During her 89th year of reign, people began to say that the Queen’s mind had become infected by demons. The extreme selfishness of her goals grew more apparent to the General, and for the first time, he hesitated upon hearing her orders. Still, he followed the Queen’s wishes to ride a Pegasus into space and destroy all the planets, moons, and stars that were visible from the Earth. She had developed sleeping problems, and said that the lights in the sky bothered her at night. And so according to her wishes, the skies became starless. Upon returning, the Queen was disgusted by the appearance of the Pegasus. In fact, the Pegasus was not entirely visible to the human eye, and could only be perceived as blurs of color and light. When she demanded that the General cut off the wings of the Pegasus, he replied, “But the Pegasus has no wings.”

The Queen grew increasingly suspicious of those around her, and began to fear that a conspiracy was being planned. The General wasn’t afraid of the Queen, but the Queen was afraid of him. Her paranoia affected her perception of the general, as he no longer appeared human to her. Through her eyes, he took on the form of a large beast with golden fur and a hideous face which appeared drawn and anxious. She locked herself inside her castle, and never came out. She sent her three sons, who had been trained as royal assassins to the General’s house to kill him. But the General killed them, and fled the kingdom, while the Queen issued a decree of the General’s banishment. From inside her castle, she would peer out from behind the walls in fear, knowing that the General was very well capable of killing her and her entire army. Wandering in the wilderness, the General would gaze sadly upon the walls of the kingdom, hoping that the Queen would forgive him.

The General would continually circle the entire kingdom, killing any armies which might attempt to invade. He did this half out of boredom, and half out of the hope that the Queen might appreciate his efforts and forgive him. After 149 years passed, the General became a part of the wilderness, turning into stone. Realizing this, the Queen finally left her castle, went out into the wilderness and smashed the stone General into dust. When news of the General’s death had spread, the Queen’s kingdom was invaded and conquered by her enemies.

캐나다 교포로 현재 한국에서 활동하는 신진작가 캐스퍼 강은 이번 개인전 CREAM (Cash Rules Everything Around Me) 전에서 현대 자본주의 사회에서 필수 불가결한 돈에 관해 몇 가지 질문을 던집니다. 작가는 돈의 의미와 힘 그리고 그 필요성에 대해 의문점을 제기하며 그의 작품 속에서 이에 대한 해답을 찾기를 종용합니다. 그는 이 시대의 가장 강력한 권력인 자본을 숭상하는 시대적 분위기를 그만의 독특한 화법을 통해 작품에서 비틀어 표현하고 있습니다.

캐스퍼 강의 이번 전시는 대한민국 지폐에 등장하는 인물들인 이황, 세종대왕 그리고 신사임당의 초상을 차용하여 캔버스에 옮겨 그린 작품들로 이루어집니다. 돈의 무늬를 배경 삼아 작가의 세밀한 붓 터치와 정교한 실크스크린 기법을 혼용하여 현대적인 감각으로 재탄생한 선조들은 전시장에서 관람객과 마주합니다. 작가는 또한 자신의 사인이자 사회적으로 특별함의 의미로 통용되는 별표 연작을 제작했습니다. 전시장에 함께 전시된 돈을 의미하는 선조들의 초상과 특별함을 의미하는 별표 연작은 관람객에게 돈이 당신에게 특별한 존재냐고 묻습니다.

-하정경 큐레이터-

“CREAM” is a series of new paintings by Casper Kang which juxtapose the intricate images and patterns found on Korean money, rearranging the pictures known as cash, or bills, into new aesthetic compositions.

“PHANTASMAGORIA III”

blackposter

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