You are currently browsing the category archive for the '01.WORK X CASPER KANG' category.
“MONEY STARS” (돈별)
PATTERNS FROM KOREAN MONEY
380 X 140 CM (21 PIECES)
ACRYLIC & SCREEN INK ON CANVAS
2010 CASPER KANG
Images may not be used without consent
2009 Casper Kang
“CASH MONEY”
PORTRAITS OF KOREAN CASH
130 X 390 CM (3 PIECES)
ACRYLIC & SCREEN INK & INTERFERENCE ON CANVAS
2010 CASPER KANG
이황
신사임당
세종대왕
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2009 Casper Kang
“1000% ASTERISK” SOLD
130 X 160 CM
ACRYLIC & SCREEN INK & INTERFERENCE ON CANVAS
2009 CASPER KANG
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2009 Casper Kang
“창녀시대” (PROSTITUTES’ GENERATION) (3 PIECES)
116 X 90 CM, 90 X 116 CM, 116 X 90 CM
ACRYLIC & INTERFERENCE & SCREEN INK ON CANVAS
2009 CASPER KANG
“고민고민하지마”
Varying interference effects visible depending upon lighting and angle of viewpoint.
“오늘밤매일밤”
Varying interference effects visible depending upon lighting and angle of viewpoint.
“소원을 말해봐”
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2009 Casper Kang
“DANCE DANCE DANCE”
390 X 160 CM
ACRYLIC & INTERFERENCE & SCREEN INK ON CANVAS
2009 CASPER KANG
Dance like you want to win.
Images may not be used without consent
2009 Casper Kang
“OTTOGI” (오뚜기)
90.5 X 60 CM
ACRYLIC & INTERFERENCE & SCREEN INK ON CANVAS
2009 CASPER KANG
OTTOGI, Since 1969.
우리나라는 모든것을 빨리 빨리, 식문화도 빨리 빨리, 그것을대표하는 오뚜기
A symbolic reference to the state of mind pervading Korean society which demands everything, including the basic element of food, to be solved as quickly as possibly, if not instantly. As one of the oldest and most established Korean confectionary companies, their logos cover a large proportion of instant foods, snacks, and beverages in any convenience store/supermarket. The Ottogi logo exists as a representation of the “quickly-quickly!” aspect of Korea.
Images may not be used without consent
2009 Casper Kang
“OTTOGI” (오뚜기)
90.5 X 60 CM
ACRYLIC & INTERFERENCE & SCREEN INK ON CANVAS
2009 CASPER KANG
OTTOGI, Since 1969.
우리나라는 모든것을 빨리 빨리, 식문화도 빨리 빨리, 그것을대표하는 오뚜기
A symbolic reference to the state of mind pervading Korean society which demands everything, including the basic element of food, to be solved as quickly as possibly, if not instantly. As one of the oldest and most established Korean confectionary companies, their logos cover a large proportion of instant foods, snacks, and beverages in any convenience store/supermarket. The Ottogi logo exists as a representation of the “quickly-quickly!” aspect of Korea.
Images may not be used without consent
2009 Casper Kang
“ORION” (오리온)
90.5 X 60 CM
ACRYLIC & INTERFERENCE & SCREEN INK ON CANVAS
2009 CASPER KANG
ORION, Since 1956.
우리나라는 모든것을 빨리 빨리, 식문화도 빨리 빨리, 그것을대표하는 오리온
A symbolic reference to the state of mind pervading Korean society which demands everything, including the basic element of food, to be solved as quickly as possibly, if not instantly. As one of the oldest and most established Korean confectionary companies, their logos cover a large proportion of instant foods, snacks, and beverages in any convenience store/supermarket. The Orion logo exists as a representation of the “quickly-quickly!” aspect of Korea. 
Images may not be used without consent
2009 Casper Kang
“ORION” (오리온)
90.5 X 60 CM
ACRYLIC & INTERFERENCE & SCREEN INK ON CANVAS
2009 CASPER KANG
ORION, Since 1956.
우리나라는 모든것을 빨리 빨리, 식문화도 빨리 빨리, 그것을대표하는 오리온
A symbolic reference to the state of mind pervading Korean society which demands everything, including the basic element of food, to be solved as quickly as possibly, if not instantly. As one of the oldest and most established Korean confectionary companies, their logos cover a large proportion of instant foods, snacks, and beverages in any convenience store/supermarket. The Orion logo exists as a representation of the “quickly-quickly!” aspect of Korea.
Images may not be used without consent
2009 Casper Kang
“NONGSHIM” (농심)
90.5 X 60 CM
ACRYLIC & INTERFERENCE & SCREEN INK ON CANVAS
2009 CASPER KANG
NONGSHIM, Since 1965.
우리나라는 모든것을 빨리 빨리, 식문화도 빨리 빨리, 그것을대표하는 농심
A symbolic reference to the state of mind pervading Korean society which demands everything, including the basic element of food, to be solved as quickly as possibly, if not instantly. As one of the oldest and most established Korean confectionary companies, their logos cover a large proportion of instant foods, snacks, and beverages in any convenience store/supermarket. The Nongshim logo exists as a representation of the “quickly-quickly!” aspect of Korea.
Images may not be used without consent
2009 Casper Kang
“NONGSHIM” (농심)
90.5 X 60 CM
ACRYLIC & INTERFERENCE & SCREEN INK ON CANVAS
2009 CASPER KANG
NONGSHIM, Since 1965.
우리나라는 모든것을 빨리 빨리, 식문화도 빨리 빨리, 그것을대표하는 농심
A symbolic reference to the state of mind pervading Korean society which demands everything, including the basic element of food, to be solved as quickly as possibly, if not instantly. As one of the oldest and most established Korean confectionary companies, their logos cover a large proportion of instant foods, snacks, and beverages in any convenience store/supermarket. The Nongshim logo exists as a representation of the “quickly-quickly!” aspect of Korea.
Images may not be used without consent
2009 Casper Kang
“CELEBRITY FA_E”
116 X 90 CM
ACRYLIC & SCREEN INK ON CANVAS
2009 CASPER KANG
Images may not be used without consent
2009 Casper Kang
“ENVY”
116 X 90 CM
ACRYLIC & INTERFERENCE & SCREEN INK ON CANVAS
2009 CASPER KANG
The iconic, and perhaps single significant Korean animation character, “둘리” (DOOLY), first aired on KBS in 1987. Portrayed here as a golden “idol” frozen in a perpetual state of envy towards all. I’m almost absolutely positive that Dooly is the most recognized (historically, and throughout a larger generational audience than the newer, contemporary characters) within Korea, but the world is a big place. . .there are bigger fish and sharks and giant squids with eyes the size of dinner plates. Poor Dooly, you’re so unknown outside of your motherland, and you were quite crudely drawn even for back then. . .but still you’re the biggest barracuda in your lake(?), so just chill, because we love you.
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2009 Casper Kang
“SCREW BAR” (GRAPE SHUKURU-BA(스크류바) UNDER RUNNING TAP WATER)
116 X 90 CM
ACRYLIC & INTERFERENCE & SCREEN INK ON CANVAS
2009 CASPER KANG
Let me be as cold as a Cold Stone Creamery granite slab buried in an iceburg floating in a sea of liquid nitrogen on Pluto Amen.
Above image shows interference effects. . .
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2009 Casper Kang
“LUCID DREAM$”
116 X 90 CM
ACRYLIC & INTERFERENCE & SCREEN INK ON CANVAS
2009 CASPER KANG
Images may not be used without consent
2009 Casper Kang
“PAPER DOLL” (된장종이인형) SOLD
130 X 160 CM
ACRYLIC & SCREEN INK ON CANVAS
2008 CASPER KANG
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2009 Casper Kang
“EVA UNIT 01″ 6/6 SOLD
45 X 53 CM
6 PIECES
ACRYLIC & SCREEN INK ON CANVAS
2009 CASPER KANG
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2009 Casper Kang
“POCARI SWEAT” (금메달따고 포카리스웨트 마시다) 6/6 SOLD
45 X 53 CM EACH
6 PIECES
ACRYLIC & SCREEN INK ON CANVAS
2008 CASPER KANG
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2009 Casper Kang
“DIASPORA I,II,III,IV,V” 3/5 SOLD
130 X 160 CM EACH
ACRYLIC & SCREEN INK ON CANVAS
2008 CASPER KANG
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2009 Casper Kang
“DIASPORA I”
130 X 160 CM
ACRYLIC & SCREEN INK ON CANVAS
2008 CASPER KANG
Images may not be used without consent
2009 Casper Kang
“DIASPORA II”
130 X 160 CM
ACRYLIC & SCREEN INK ON CANVAS
2008 CASPER KANG
Images may not be used without consent
2009 Casper Kang
“DIASPORA III” SOLD
130 X 160 CM
ACRYLIC & SCREEN INK ON CANVAS
2008 CASPER KANG
Images may not be used without consent
2009 Casper Kang
“DIASPORA IV” SOLD
130 X 160 CM
ACRYLIC & SCREEN INK ON CANVAS
2008 CASPER KANG
Images may not be used without consent
2009 Casper Kang
“DIASPORA V” SOLD
130 X 160 CM
ACRYLIC & SCREEN INK ON CANVAS
2008 CASPER KANG
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2009 Casper Kang
“RABBIT EATER 2″ SOLD
160 X 130 CM
ACRYLIC & SCREEN INK ON CANVAS
2008 CASPER KANG
This is a portrait of my dog back home in Toronto. I wasn’t there at the time, but she caught a rabbit in our backyard and ate it. When I heard about that I just felt really happy for her, and proud. It’s not easy to catch a rabbit, and she did it at the age of 10, which isn’t young for a dog.
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2009 Casper Kang
“FERMENTATION OF FURY” (김치의분노)
130 X 160 CM
ACRYLIC & SCREEN INK ON CANVAS
2008 CASPER KANG
Images may not be used without consent
2009 Casper Kang
“PHANTASMAGORIA II”
260 X 130 CM
ACRYLIC & SCREEN INK ON CANVAS
2008 CASPER KANG
Images may not be used without consent
2009 Casper Kang
“DOUBLE HAPPINESS” SOLD
116 X 90 CM
ACRYLIC & SCREEN INK ON CANVAS
2008 CASPER KANG
If you have one ice cream, and you’re almost finished eating it, it seems like you can’t enjoy it to the last bit. Especially if you’re not really full and you’re thinking about the ice cream while you eat it, and you realize that its starting to disappear, and soon you’ll have no ice cream at all. If you have two ice creams, then you don’t get this problem, so it’s always good to buy two of one thing if you can, under the right circumstances.
“PEACH BANG”
130 x 160 CM
ACRYLIC & SCREEN INK ON CANVAS
2007 CASPER KANG
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2009 Casper Kang
